Understanding Zohran Mamdani's Style Statement: What His Suit Reveals About Contemporary Masculinity and a Shifting Society.
Growing up in London during the noughties, I was constantly immersed in a world of suits. You saw them on businessmen rushing through the financial district. They were worn by dads in Hyde Park, playing with footballs in the evening light. Even school, a cheap grey suit was our mandatory uniform. Historically, the suit has functioned as a costume of gravitas, signaling power and performance—qualities I was expected to aspire to to become a "man". However, until recently, my generation appeared to wear them less and less, and they had largely disappeared from my consciousness.
Then came the incoming New York City mayor, Zohran Mamdani. He was sworn in at a private ceremony wearing a subdued black overcoat, crisp white shirt, and a distinctive silk tie. Propelled by an ingenious campaign, he captivated the public's imagination unlike any recent mayoral candidate. But whether he was cheering in a hip-hop club or attending a film premiere, one thing remained mostly constant: he was frequently in a suit. Loosely tailored, contemporary with soft shoulders, yet conventional, his is a quintessentially middle-class millennial suit—that is, as common as it can be for a generation that rarely bothers to wear one.
"This garment is in this weird place," notes men's fashion writer Derek Guy. "It's been dying a slow death since the end of the Second World War," with the significant drop coming in the 1990s alongside "the rise of business casual."
"It's basically only worn in the strictest locations: marriages, funerals, and sometimes, legal proceedings," Guy explains. "It's sort of like the kimono in Japan," in that it "essentially represents a custom that has long retreated from daily life." Many politicians "wear a suit to say: 'I am a politician, you can trust me. You should support me. I have legitimacy.'" But while the suit has historically conveyed this, today it performs authority in the hope of gaining public confidence. As Guy clarifies: "Since we're also living in a liberal democracy, politicians want to seem relatable, because they're trying to get your votes." In many ways, a suit is just a nuanced form of drag, in that it enacts masculinity, authority and even proximity to power.
Guy's words resonated deeply. On the infrequent times I need a suit—for a ceremony or black-tie event—I retrieve the one I bought from a Tokyo department store several years ago. When I first selected it, it made me feel sophisticated and expensive, but its slim cut now feels passé. I imagine this feeling will be only too familiar for numerous people in the global community whose families originate in somewhere else, especially developing countries.
It's no surprise, the everyday suit has fallen out of fashion. Similar to a pair of jeans, a suit's silhouette goes through cycles; a particular cut can thus define an era—and feel quickly outdated. Consider the present: more relaxed suits, echoing a famous cinematic Armani in *American Gigolo*, might be trendy, but given the price, it can feel like a considerable investment for something likely to fall out of fashion within five years. Yet the attraction, at least in certain circles, endures: in the past year, major retailers report tailoring sales increasing more than 20% as customers "shift from the suit being daily attire towards an desire to invest in something special."
The Politics of a Mid-Market Suit
The mayor's go-to suit is from Suitsupply, a Dutch label that retails in a mid-market price bracket. "Mamdani is very much a product of his upbringing," says Guy. "A relatively young person, he's not poor but not extremely wealthy." Therefore, his mid-level suit will resonate with the group most inclined to support him: people in their 30s and 40s, college graduates earning middle-class incomes, often frustrated by the expense of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not extravagant, Mamdani's suits arguably don't contradict his stated policies—such as a capping rents, building affordable homes, and fare-free public buses.
"You could never imagine a former president wearing Suitsupply; he's a luxury Italian suit person," observes Guy. "As an immensely wealthy and was raised in that property development world. A status symbol fits seamlessly with that elite, just as more accessible brands fit naturally with Mamdani's cohort."
The history of suits in politics is extensive and rich: from a well-known leader's "shocking" beige attire to other world leaders and their suspiciously impeccable, custom-fit sheen. Like a certain UK leader learned, the suit doesn't just clothe the politician; it has the potential to define them.
The Act of Banality and Protective Armor
Maybe the key is what one academic calls the "performance of banality", summoning the suit's historical role as a uniform of political power. Mamdani's specific selection taps into a studied modesty, not too casual nor too flashy—"conforming to norms" in an unobtrusive suit—to help him connect with as many voters as possible. However, experts think Mamdani would be aware of the suit's military and colonial legacy: "The suit isn't neutral; scholars have long noted that its contemporary origins lie in military or colonial administration." It is also seen as a form of defensive shield: "I think if you're a person of color, you might not get taken as seriously in these traditional institutions." The suit becomes a way of asserting credibility, perhaps especially to those who might doubt it.
This kind of sartorial "changing styles" is not a recent phenomenon. Indeed iconic figures once wore three-piece suits during their early years. Currently, other world leaders have started swapping their usual fatigues for a black suit, albeit one lacking the tie.
"Throughout the fabric of Mamdani's image, the tension between belonging and otherness is apparent."
The suit Mamdani chooses is highly symbolic. "As a Muslim child of immigrants of Indian descent and a progressive politician, he is under scrutiny to conform to what many American voters look for as a marker of leadership," says one expert, while at the same time needing to navigate carefully by "avoiding the appearance of an establishment figure betraying his distinctive roots and values."
But there is an sharp awareness of the different rules applied to who wears suits and what is read into it. "That may come in part from Mamdani being a younger leader, skilled to assume different identities to fit the occasion, but it may also be part of his multicultural background, where adapting between languages, customs and clothing styles is common," commentators note. "White males can go unnoticed," but when others "attempt to gain the authority that suits represent," they must carefully negotiate the codes associated with them.
In every seam of Mamdani's public persona, the dynamic between belonging and displacement, insider and outsider, is visible. I know well the discomfort of trying to fit into something not designed with me in mind, be it an cultural expectation, the society I was born into, or even a suit. What Mamdani's style decisions make evident, however, is that in politics, image is never neutral.